In Saki’s short story, “The Storyteller”, the theme that the world isn’t just black and white is shown through his use of symbolism, foreshadowing, and irony. Saki’s use of symbolism is demonstrated through his use of the the color black and white. In the story, ‘black’ represents evil in the world along with death and depression.

The Storyteller Jim Henson A Story Short

The story opens on a hot summer day with three small children and their aunt sitting in a railway carriage on the way to Templecombe. Together with them in the carriage is an unknown man who observes their behavior. The children are bored and ask their aunt various questions. She tells them to observe the surroundings, but that encourages even more curiosity. In order to keep the children quiet for a while, the aunt decides to tell them a story. She comes up with a conventional, moralistic tale which fails to capture the interest of the children and creates even bigger discontent. As he also heard the story, the unknown man decides to point out its flaws. The aunt takes it as an offense and challenges him to tell a better story.

The man invents a story that begins like the previous one. He tells the children about a girl named Bertha who is so 'horribly good' that she even has three medals for that. One day the prince notices how good Bertha has been and decides to reward her. Bertha is allowed to take a walk in the prince's gardens, where normally no children are permitted. She enjoys her walk until the wolf shows up. Bertha hides behind a myrtle bush and almost manages to escape, but her medals clicking against each other give her away and the wolf eats her at once.

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The Storyteller Reﬂections on the Works of Nikolai Leskov Walter Benjamin I Familiar though his name may be to us, the storyteller in his living immediacy is by no means a present force. He has already become something remote from us and something that is getting even more distant.

The children love this story, even though in the beginning they thought it would be horrible, as it started like their aunt's story. They appreciate the realness of the story that lacked in the tale of their aunt. The aunt, however, finds the story 'most improper' to tell to young children. The man points out, that unlike her, he was at least capable of keeping the kids silent for ten minutes.

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The Storyteller Short Story Summary

A well-told story’s power to captivate and inspire people has been recognized for thousands of years. Peter Guber is in the business of creating compelling stories: He has headed several entertainment companies—including Sony Pictures, PolyGram, and Columbia Pictures—and produced Rain Man, Batman, and The Color Purple, among many other movies. In this article, he offers a method for effectively exercising that power.

The storyteller short story questions and answers

For a story to enrapture its listeners, says Guber, it must be true to the teller, embodying his or her deepest values and conveying them with candor; true to the audience, delivering on the promise that it will be worth people’s time by acknowledging listeners’ needs and involving them in the narrative; true to the moment, appropriately matching the context—whether it’s an address to 2,000 customers or a chat with a colleague over drinks—yet flexible enough to allow for improvisation; and true to the mission, conveying the teller’s passion for the worthy endeavor that the story illustrates and enlisting support for it.

The Storyteller Short Story Theme

In this article, Guber’s advice—distilled not only from his years in the entertainment industry but also from an intense discussion over dinner one evening with storytelling experts from various walks of life—is illustrated with numerous examples of effective storytelling from business and elsewhere. Perhaps the most startling is a colorful anecdote about how Guber’s own impromptu use of storytelling, while standing on the deck of a ship in Havana harbor, won Fidel Castro’s grudging support for a film project.